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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Don Watson
Don Watson
Don Watson

Don Watson, 2002

Anna Sande
Portrait, oil on canvas board

Gift of the artist 2004

Gordon Watson
Gordon Watson
Gordon Watson

Gordon Watson, 1964

Max Dupain OBE
Portrait, gelatin silver photograph on paper

Gift of Danina Dupain Anderson 2017. Donated through the Australian Government's Cultural Gifts Program.

Ian Roberts (after Coypel 1709)
Ian Roberts (after Coypel 1709)
Ian Roberts (after Coypel 1709)

Ian Roberts (after Coypel 1709), 2003

Ross Watson
Portrait, oil on composition board

Gift of the artist 2004. Donated through the Australian Government's Cultural Gifts Program.

Jenny Watson 4, February 1979
Jenny Watson 4, February 1979
Jenny Watson 4, February 1979

Jenny Watson 4, February 1979, 1979 (printed 2012)

Robert Rooney
Portrait, inkjet print on paper

Purchased 2012

Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham)
Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham)
Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham)

Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham), 2009

Ross Watson
Portrait, oil on board

Gift of the artist 2010. Donated through the Australian Government's Cultural Gifts Program.

Ian Roberts (after Coypel 1709)

Super League

Magazine article by David Sequeira, 2004

The portrait of Ian Roberts by Ross Watson.

Master of the Hunt
Master of the Hunt
Master of the Hunt

Master of the Hunt "Steady, Gentlemen, Steady!" [Mr George Watson], 1874

Tom Durkin, The Weekly Times
Portrait, lithograph on paper

Collection: National Portrait Gallery
Purchased 2016

Grant McLennan

Grant (No. 3 of Robert, Lindy, Grant)

Jenny Watson
Image
Robert Foster

Robert (No. 1 of Robert, Lindy, Grant)

Jenny Watson
Image
Lindy Morrison

Lindy (No. 2 of Robert, Lindy, Grant)

Jenny Watson
Image
Barton and Watson
Barton and Watson
Barton and Watson

Barton and Watson, 1902

G. H. Dancey
Portrait, pen and ink on paper

Collection: National Portrait Gallery
Purchased 2012

John Hawkesworth LLD
John Hawkesworth LLD
John Hawkesworth LLD

John Hawkesworth LLD, c. 1850 (originally 1776)

James Watson after Sir Joshua Reynolds
Portrait, mezzotint on paper

Collection: National Portrait Gallery
Purchased 2015

Robert, Lindy, Grant
Robert, Lindy, Grant
Robert, Lindy, Grant

Robert, Lindy, Grant, 1981

Jenny Watson
Portrait, oil on canvas board (triptych)

Purchased 2002

General Sir Thomas Makdougall Brisbane
General Sir Thomas Makdougall Brisbane
General Sir Thomas Makdougall Brisbane

General Sir Thomas Makdougall Brisbane, 1850 (published)

James Faed, W Wilding after John Watson Gordon
Portrait, mezzotint on paper

Collection: National Portrait Gallery
Purchased with funds provided by Ross A Field 2008

Summer 1986

Janet Dawson’s painting of Michael Boddy gives paws for thought

The Australian, 26 November 2016
General content

Bronwyn Watson writes about Summer 1986 for the Popular Pet Show.

Lindy Morrison

'We were so lucky'
Portrait story

Musician Lindy Morrison on starting out as a drummer, and Jenny Watson's portraits of The Go-Betweens.

Angel of the Gap, 2009 by Sahlan Hayes

Angel of the Gap, 2009

by Sahlan Hayes
Image
Russell Page in Venice
Russell Page in Venice
Russell Page in Venice

Russell Page in Venice, 1997

Brenda L Croft
Portrait, triptych of type C photographs on paper

Purchased 2002

Harmony (Self portrait), c. 1927-1929 Paule Vézelay

Harmony (Self portrait)

Paule Vézelay
Image
Tony Bilson
Tony Bilson
Tony Bilson

Tony Bilson, c. 2005

George Fetting
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Gift of Tony Bilson 2008

Colin Madigan and Robert Hughes, Canberra
Colin Madigan and Robert Hughes, Canberra
Colin Madigan and Robert Hughes, Canberra

Colin Madigan and Robert Hughes, Canberra, 1982 (printed 2000)

David Moore
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001

Karen Gillan, 2010

Hot Scots

Magazine article by Christopher Baker, 2013

James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.

Janet Dawson, 2016 by Mark Mohell

Janet Dawson

Explore The Popular Pet Show

When soulmates Janet Dawson and Michael Boddy moved from Sydney to a property, Boddy was clear about why: ‘Our marriage is one long conversation - we moved to the bush so we could talk to each other without so many interruptions.’

General Sir Thomas Makdougall Brisbane

Seeing stars

Celebrating Science Week
About Face article

It has been suggested that Sir Thomas Brisbane’s interest in the New South Wales governorship was as attributable to his passion for astronomy as to the desirability of the position as a prestigious career move.

Self-portrait in black jumper, 2017 Graeme Drendel

Be frank

Magazine article by Dr Sarah Engledow, 2020

Close encounters are the genesis for Graeme Drendel’s enticing portraiture.

Andy Thomas

Uncommon Australians

The vision of Gordon and Marilyn Darling
Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

A Goldfields Member

Showing character

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

Howard Taylor

Reflections on portraiture

Magazine article by Andrew Sayers AM, 2004

An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.

Layla 2020 Veronica Watson, pencil on paper. Layla 2020 Sarah McEwan, fabric, acrylic on MDF. Self portrait 2020 Layla Bacayo, drypoint on paper. Image: Sarah McEwan

Mash-up

Magazine article by Penelope Grist, 2022

Penelope Grist delves into an insightful portraiture exhibition that asks: How do three artists see the same sitter?

The Dance - David McAllister

Home is where the art is

About Face article

Tedi Bills on how social media in the age of COVID-19 has fanned the flames of our portrait fascination.

Lindy Lee

The long game

Magazine article by Penelope Grist, 2020

Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.

Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham)

Getting bare

Magazine article by Penelope Grist, 2015

How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.

George Reid paperweight

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

image not online

Portrait Donors

Listed by year
Honour board
Eileen Dunne in The Hospital for Sick Children, 1940

The incomparable Beaton

Magazine article by Dr Sarah Engledow, 2005

To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency